Indigenous AIR DATE: May 26, 2013 - For the FULL article and HD Video http://ybltv. com/YBLTV Friend Us on.
Horrid Restaurant Customers and the Revenge They So Justly Deserved
Appreciated back to Behind Closed Ovens, where we take a look at the best and strangest stories from inside the food industry. This week Then they would sit down and demand that the table be re-wiped, ask that bread sticks be brought out even before
I’m universal to start here with the bottom line. You don’t have to read this whole review to get the message. Stupid F##cking Bird is an amazing experience that I recommend to anyone who cares about theater and who can have to do with with the coarse language. The acting, the direction, the staging, and literally everything else about Stupid F##king Bird are all splendid. By that, I don't just mean that I gave you the substructure line at the top. I have listed the cast and crew members below, as is my custom, but for Stupid F##cking Bird , I’m not going to go into detail about the production and individual performances. Imbecilic F##king Bird is about ideas. the characters are vivid and engaging, but it is the message that matters. Besides, the individual performances were uniformly magnificent. There’s a conventional sageness that starving artists are the best of the bunch. their suffering makes their art more real, more personal, and certainly more intense. There’s also another conventional wisdom that argues that the best art is that which is “booming. ” If it doesn’t get eyeballs, and make a LOT of money, what good is it. So which is the better argument. Stupid F##king Bird will make you both think and laugh about the give someone the third degree. Ask yourself whether revolutionaries can be successful artists by destroying what came before. And ask yourself whether profitable art enterprises doing anything creative, or are they just about making money off the masses. Naturally, ask yourself if these questions even matter. Aaron Posner’s update to Chekov’s 1895 script is a spot on take down of the folly of both arguments, an irreverent shove in the eye of artists and theaters alike. Take the tradition of the 4th Wall. That imaginary barrier between the cast and the audience has a purpose. it separates the reality of the audience from the made-up story on the stage. Posner doesn’t just take down the 4th Wall. He smashes it, multiple times, engaging the audience directly and repeatedly. It’s baffling, but it’s one of Posner’s ways of shocking the audience into challenging their assumptions about theater. …what they’re doing to Shakespeare these days to make him “accessible”…and the tiny, tepid, clever-y clevery-y clevery-y small plays that are being produced by terrified theatres just trying to keep ancient Jews and gay men and retired academics... Also on the menu are life, death, turtle-dove, relationships, and personal failure. All are valid topics, certainly, but they seem tangential to Posner’s central point about theater. contemporary characters ring truthful. Con (Luke Sorge) is the artistic revolutionary. and he has the the first line in the show as he stands with the rest of the cast downstage. To avoid spoiling his first line, I will just say that Con marks his alpha man's artistic turf with his first words to the audience. Con is determined to change the world in the first act, but by the end of the play he is depressed, broken, and suicidal. The second act is class of a kitchen table confessional. The set completely changes from the first act. we are now in the kitchen, where the cast comes to bare their souls. Mash (Rebecca Remaly) starts it off with a commotion on her ukulele (lyrics by Posner), lamenting that “the best that life can offer me is more of the worst. ” The maudlin, melancholy lyrics are laughably lame, but Remaly’s dulcet voice makes them listenable. Remaly makes her sincere confession in the kitchen: “we’re cosmically screwed. Stupid F##cking Bird is highly unconventional. the cabal is based on the creative process, with characters that are straight out of central casting. Mash is a woman whose unrequited love leads her to settling for half a mo best. Con is the struggling writer. Trig (Brian Gregory Shea) is the commercially successful writer and womanizer who is It’s difficult to overstate the talent on the BETC status for Stupid F##king Bird. You will rarely see actors as engaged and focused as those in Stupid F##cking Bird. These are creative, dedicated theater people challenging their own assumptions, biases, and as the case may be even their own life choices.
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